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Etage Projects

@etageprojects

Please DM or contact [email protected] for sales and inquiries Tues - Fri 12-17 Sat 12-16
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Ditte Gantriis : Open Marriage Hilda Hellström : Tid (Tine) FOS : Collage 2+ Untitled Saltwork Karl Monies : Container CXLV Soft Baroque : Soft Metal Candle Holder Cristina Roman Diaz : Hard Bending display Ph @derpeterboel
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20 дней назад
Hard Bending - A mix of works by artists represented by the Gallery, in combination with a series of display pieces created by Cristina Roman Diaz. Ph @derpeterboel
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1 месяц назад
We are pleased to present Hard Bending - A mix of works by artists represented by the Gallery, in combination with a series of display pieces created by Cristina Roman Diaz. Room 1 Body and Soul wicker basket by Ditte Gantriis Salt Work by FOS Quilted Fiberglass Vases and Chelonian Vessel on a pedestal by Minjae Kim Toothpick stand, Dancing Lamp by Soft Baroque Ph @derpeterboel
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1 месяц назад
“Liljerne på altanen...” by Ditte Gantriis Wrought iron gate and silver cast finger ring installed on the lookout hill with a view to the landscape horizon behind Fuglsang Kunstmuseum. Permanent installation at Fuglsang Kunstmuseums Kunstlandskab, Denmark. Curated by Tone Bonnen. Photography Jan Sondergaard.
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1 месяц назад
A Large Soap dining table in peach by Sabine Marcelis for a lovely client🍑💫 Photo by @pim_top
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1 месяц назад
New Custom Standing Light by Sabine Marcelis ⭐️✨💫 Photo by Pim Top
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1 месяц назад
Currently on view Untitled by FOS. In this wall piece by FOS a chemical reaction containing oxygen, water and salt is created and when the water evaporates the salt is crystallised and a landscape of salt takes shape. A natural phenomenon also known as salt ponds. 78,5 x 78,5 x 4 cm Contact for price Photo: @r.damisch
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2 месяцев назад
BNAG Summloch 9F, 2020 Clay (fired) 40h x 44w x 50d cm The ‘Summloch’ series is unique in its intention, the pieces have been designed as both an aesthetic and aural experience. “Put your head into a Summloch and hum: your whole body starts tingling.” To encourage this behaviour from visitors to the ‘Summloch’ collection, BNAG has produced an informative typographic accompaniment. This black and white publication is filled with concrete poems that ask you to Him Him Him Hamme and Waym Wam Wem Woomah into the cavern atop of the Summloch’s trunk. “The sound waves reverberate from the Summloch walls, amplifying the natural resonance”. Interaction with the ‘Summloch’ is intended to provide visitors with “a harmonious feeling of wellbeing.”
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2 месяцев назад
We wish you a happy, healthy and peaceful New Year 2024 Thanks to all artist, clients and visitors! With warm greetings Etage Projects 1. Warm Leatherette by FOS 2. Anna Aagaard Jensen at Collectible Brussels 3. Bricks by Kueng Caputo 4. Performance Anxiety by Soft Baroque 5. Group presentation at CHART Art fair Copenhagen 6. Leaking Fountain by FOS in Tivoli Copenhagen 7. Group presentation at Thema Paris 8. Hybrid Habitability, group show curated by Jeannette Apitz & Tina Roeder
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2 месяцев назад
Seasons greetings!🕊️🤍 The gallery will remain closed for our winter break from December 23rd until January 6, 2024. Thank you for your support this year🕊️ Wishing everyone peace and calm times ahead🕊️ All the best from team EP @alexmueller_now “Bis die Zeit vergeht”, (Until time passes), 2003 / 2023, Mixed media, 33h x 87w x 39d cm Currently on view ➖Hybrid Habitability, curated by Jeanette Apitz & Tina Roeder.
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3 месяцев назад
New arrivals from @mnjaekim 4x Quilted Grid Vases 42h x 48w x 11d cm
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3 месяцев назад
Pegasus Product The Microchair (Minimal-Vertikal) (Minimal-Horizontal) (Memphcis+) Office Kristalllampe (Compass) Coffeetablebooks 1-35 The Mikrochairs were originally produced for Sülzensaal, a restaurant for head cheese in shape of the Reichstag building, the seat of the german parliament. Like other Pegasus Products, they serve a plethora of purposes and have thus become a product line. Every Microchair will be different and as any good design bend towards the user, but also make them bend towards it. Industrially produced in all-encompassing logic of economy, the new pressboard furniture is cheaper than its material. As soon as its interior is revealed through the broken edge, it is disposed of, along with all the energetic charging it received through daily use, in a dark corner where anonymity and poverty can meet. As small islands of contemporary archaeology, these corners are like natural sources of witnesses to our existential context. Is the urine-soaked billy shelf a secret globe bar or house altar? Are microwaves chairs? Is the broken salt crystal lamp double, or half as effective? For Hybrid Habitability, curated by Jeanette Apitz & Tina Roeder Ph @r.damisch
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3 месяцев назад